grafik
grafik
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graphicalhouse:

Really interesting Twitter/Mapping related story over at Design is Blank.
modul:

l’ écume des jours, un film de Charles Belmont.1968
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a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
a-bittersweet-life:

The Use of Technology in the Service of the Film: from the documentary Something’s Gonna Live, directed by Daniel Raim.
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nevver:

Tight
nevver:

Tight
cross-connect:

(by matthiaswerner)
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style-therapy:

 
style-therapy:

 
style-therapy:

 
style-therapy:

 
style-therapy:

 
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kateoplis:

“On my tombstone they will carve: IT NEVER GOT FAST ENOUGH FOR ME.”
— Hunter S. Thompson 
kateoplis:

“On my tombstone they will carve: IT NEVER GOT FAST ENOUGH FOR ME.”
— Hunter S. Thompson 
negativenights:

Roman Vukolov - Ultraviolet
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likeafieldmouse:

Lucinda Devlin - Corporal Arenas (1982-91)
Devlin has always been one of my favorite photographers. What’s ironic in the title Corporal Arenas and what’s powerful about this series to me is that the corporal subjects are missing from the photos, as in her Omega Suites.
These are places of close observation. It isn’t hard to imagine what goes on in them. Bodies are handled, hosed down with water, probed with X-rays, operated on and subjected to autopsy. They’re places we’d rather avoid being drawn into, even through the lens of a camera, and it’s the stark emptiness of the rooms that draws us in a little too close for comfort, making them all the more corporal.
1. Colon Therapy Room,The Homestead Spa, Hot Springs, Virginia
2. Morgue, Outlook Hospital, Summit, New Jersey
3. Classroom, Simmons Mortuary Science School, Syracuse, New York
4. Gross Anatomy Lab, University of California
5. Small Animal Surgery, Veterinary School, University of Ohio
6. Scotch Bath, The Homestead Spa, Hot Springs, Virginia
likeafieldmouse:

Lucinda Devlin - Corporal Arenas (1982-91)
Devlin has always been one of my favorite photographers. What’s ironic in the title Corporal Arenas and what’s powerful about this series to me is that the corporal subjects are missing from the photos, as in her Omega Suites.
These are places of close observation. It isn’t hard to imagine what goes on in them. Bodies are handled, hosed down with water, probed with X-rays, operated on and subjected to autopsy. They’re places we’d rather avoid being drawn into, even through the lens of a camera, and it’s the stark emptiness of the rooms that draws us in a little too close for comfort, making them all the more corporal.
1. Colon Therapy Room,The Homestead Spa, Hot Springs, Virginia
2. Morgue, Outlook Hospital, Summit, New Jersey
3. Classroom, Simmons Mortuary Science School, Syracuse, New York
4. Gross Anatomy Lab, University of California
5. Small Animal Surgery, Veterinary School, University of Ohio
6. Scotch Bath, The Homestead Spa, Hot Springs, Virginia
likeafieldmouse:

Lucinda Devlin - Corporal Arenas (1982-91)
Devlin has always been one of my favorite photographers. What’s ironic in the title Corporal Arenas and what’s powerful about this series to me is that the corporal subjects are missing from the photos, as in her Omega Suites.
These are places of close observation. It isn’t hard to imagine what goes on in them. Bodies are handled, hosed down with water, probed with X-rays, operated on and subjected to autopsy. They’re places we’d rather avoid being drawn into, even through the lens of a camera, and it’s the stark emptiness of the rooms that draws us in a little too close for comfort, making them all the more corporal.
1. Colon Therapy Room,The Homestead Spa, Hot Springs, Virginia
2. Morgue, Outlook Hospital, Summit, New Jersey
3. Classroom, Simmons Mortuary Science School, Syracuse, New York
4. Gross Anatomy Lab, University of California
5. Small Animal Surgery, Veterinary School, University of Ohio
6. Scotch Bath, The Homestead Spa, Hot Springs, Virginia
likeafieldmouse:

Lucinda Devlin - Corporal Arenas (1982-91)
Devlin has always been one of my favorite photographers. What’s ironic in the title Corporal Arenas and what’s powerful about this series to me is that the corporal subjects are missing from the photos, as in her Omega Suites.
These are places of close observation. It isn’t hard to imagine what goes on in them. Bodies are handled, hosed down with water, probed with X-rays, operated on and subjected to autopsy. They’re places we’d rather avoid being drawn into, even through the lens of a camera, and it’s the stark emptiness of the rooms that draws us in a little too close for comfort, making them all the more corporal.
1. Colon Therapy Room,The Homestead Spa, Hot Springs, Virginia
2. Morgue, Outlook Hospital, Summit, New Jersey
3. Classroom, Simmons Mortuary Science School, Syracuse, New York
4. Gross Anatomy Lab, University of California
5. Small Animal Surgery, Veterinary School, University of Ohio
6. Scotch Bath, The Homestead Spa, Hot Springs, Virginia
likeafieldmouse:

Lucinda Devlin - Corporal Arenas (1982-91)
Devlin has always been one of my favorite photographers. What’s ironic in the title Corporal Arenas and what’s powerful about this series to me is that the corporal subjects are missing from the photos, as in her Omega Suites.
These are places of close observation. It isn’t hard to imagine what goes on in them. Bodies are handled, hosed down with water, probed with X-rays, operated on and subjected to autopsy. They’re places we’d rather avoid being drawn into, even through the lens of a camera, and it’s the stark emptiness of the rooms that draws us in a little too close for comfort, making them all the more corporal.
1. Colon Therapy Room,The Homestead Spa, Hot Springs, Virginia
2. Morgue, Outlook Hospital, Summit, New Jersey
3. Classroom, Simmons Mortuary Science School, Syracuse, New York
4. Gross Anatomy Lab, University of California
5. Small Animal Surgery, Veterinary School, University of Ohio
6. Scotch Bath, The Homestead Spa, Hot Springs, Virginia
likeafieldmouse:

Lucinda Devlin - Corporal Arenas (1982-91)
Devlin has always been one of my favorite photographers. What’s ironic in the title Corporal Arenas and what’s powerful about this series to me is that the corporal subjects are missing from the photos, as in her Omega Suites.
These are places of close observation. It isn’t hard to imagine what goes on in them. Bodies are handled, hosed down with water, probed with X-rays, operated on and subjected to autopsy. They’re places we’d rather avoid being drawn into, even through the lens of a camera, and it’s the stark emptiness of the rooms that draws us in a little too close for comfort, making them all the more corporal.
1. Colon Therapy Room,The Homestead Spa, Hot Springs, Virginia
2. Morgue, Outlook Hospital, Summit, New Jersey
3. Classroom, Simmons Mortuary Science School, Syracuse, New York
4. Gross Anatomy Lab, University of California
5. Small Animal Surgery, Veterinary School, University of Ohio
6. Scotch Bath, The Homestead Spa, Hot Springs, Virginia
nyctalopes:

La friterie Dédé by Le Matos on Flickr.
zeroing:

brett walker